Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.
ACE belongs to a new generation of synthesizers developed with the latest, fastest computers in mind. ACE offers classic modular synthesis and more at a fraction of the cost of dedicated hardware. But like its hardware forebears, you can patch any output into any input: the number of different ways to connect modules together is practically infinite. Needless to say, you will never run out of cables! The careful selection of modules and clear layout make ACE the ideal instrument for newcomers delving into the fascinating world of modular synthesis. But ACE also delivers the goods: like any medium-sized professional hardware system, ACE has enough synthesis power to keep you discovering new tricks for many years to come!
The Abuser is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles.
Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series. With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.
Filterstation2 is the take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit. Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.
ADverb2 is a full update of our classic ADverb (originally named “c”) vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.
The Soul Of Neo TEAM MAGNETRiXX | 18 August 2014 | 103 MB 'The Soul of Neo' is a collection of feel good Neo Soul tunes. This pack puts the "soul" back into Neo...
Seductive Keys 8 AUDiOSTRiKE | 28 February 2015 | 220 MB 'Seductive Keys 8' brings you five Construction Kits of romantic, smooth and relaxing Old School R&...
ABJ v3.6.0 WiN MAC Team R2R | 29 Novembre 2024 | WiN+MAC: 3.41 GB …: STANDALONE, AU, VSTi, VST3, AAX, x64 :… ABJ aim to bring the Fender Jazz Bass sound to your...
ABA v3.6.0 WiN MAC Team R2R | 29 November 2024 | WiN+MAC: 2.65 GB …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::… Ample Bass Acoustic is a virtual acoustic bass...
Seductive Keys 7 TEAM MAGNETRiXX | 09 August 2014 | 182 MB 'Seductive Keys 7' is the seventh collection of romantic, smooth and relaxing Old School R&B groo...
ABJF v3.6.0 Fretless Jazz Bass Team R2R | 29 November 2024 | WiN+MAC: 1.1 GB …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::… Ample Bass JF aim to bring the Fende...
