KORG Opsix Native WiN

Team RET | 03 November 2022 | 153.13MB

..:: STANDALONE, VSTi, VST3, AAX, x64 ::..

Opsix is a digital synth unlike any other, with sounds to match. Instantly explore hundreds of fresh, cutting-edge sounds to inspire your next musical project! Go even further with the power of customization right at your fingertips. Front panel colored controls provide easy access for dramatic shifts in sound characteristics, from icy, sparkling chimes to fuzzy, deep basses. The opsix is an entirely new tool that reveals a world of frequency exploration and a wide range of dynamic possibilities.

Imaginando Plug-ins Bundle WiN

TEAM RET  | 03 November 2022 | 2.28GB

..:  AAX, VSTi, VST, VST3, STANDALONE :..

Imaginando is a Portuguese plugin developer that creates some cool effects and virtual instruments. Many non-professional DJ/producers fund their creative endeavours via employment in a role unconnected with the music industry. Since 2014 we’ve been mixing music and technology to create original products, centred around audio-visual experiences. We want to inspire artists to expand their own creativity with the innovative high quality products that we build.

MorphEQ v1.0.1 WiN

Team R2R | 03 November 2022 | 15MB

 Morph EQ, a creative EQ and filter effect plugin. Morph EQ’s morphing feature allows you to draw endless custom filter paths and navigate them with the turn of a knob. Audio can be sculpted using controls that globally shift and move the filter shapes. Morph EQ is able to morph through paths, control the filter’s cutoff, and create wide stereo effects with ease. Morph EQ’s flexible features can mix and match any combination of 7 filter types, analyze sound in real-time, change filter routing for creative effects, and more.

Ozone Advanced v9.12.0 WiN MAC

MORiA | 08 April 2022 | 1.54 GB

..:: AU, VST3, VST, AAX, STANDALONE ::..

Ozone 9 delivers the latest in audio technology with new tools for instrument balance and low end, smarter audio assistance, and improved performance.

SubLab XL v1.0.2 WiN

ARTiCSTORM | 26 October 2022 | 422.35MB

Mix And match FX

Sculpt out your subs with arrangeable FX.

AmpliTube 5 v5.5.1 MAC

P2P/R2R KGN | 24 October 2022 | 2.95 GB

.:: AU, 64Bit, STANDALONE, AAX, VST3, VST ::.

AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.

Lowdown v1.0.6.31 WiN

Team R2R | 15 October 2022 | 16.3MB

.: STANDALONE, VST2i, VST3, AAX, x64 :.

The Lowdown Bass Synthesizer recreates the super-fat, room-rattling sounds of the most legendary dual-oscillator bass pedal synth ever made. Heard on countless prog-rock and new wave tracks in the 70s and 80s, this floor pedal monster comes to the desktop for the very first time. From the dual “constant-beat” oscillators to the girthy ladder filter, DSP wizard Mark Barton (MRB) has modeled every aspect of the original with exceptional accuracy. Get down to the ground with Lowdown!  Outside of a handful of organ-oriented instruments, the original instrument was the first dedicated foot-controlled bass synthesizer, and with its colossal tone, unquestionably the best sounding. It was used by some of the top acts of 70s and 80s, including Rush, Yes, Genesis, U2, and The Police (check out the intro of “Don’t Stand So Close To Me” or Phil Collins’ “I Don’t Care Anymore.”)