Rhythm is the UK’s best-selling drum magazine. Every issue of Rhythm is jam packed with exclusive interviews with the hottest players in the world, brilliant features covering every aspect of the drumming universe, independent advice on the latest gear from our team of experts, and all the news, reviews, gigs and gossip you could ever possibly want.
100% Drum Fills is a beefy buffet of 100 no-holds-barred drum fills for virtually all electronic genres. Vintage-inspired live fills loaded with funky-style drumming, glitch and tech fills packed with processed circuitry and glitched electronics, 100% Drum Fills skilfully fuses live drumming, authentic analogue hits, assorted circuit derived sounds and punchy tech percs with fresh fills masterfully mixed to slot seamlessly into your productions. Crafted by our in-house production team to give you the end user that professional edge over the competition. All loops tempo-synced at 124, 128 and 140 bpm for total ease of use and presented in pristine 24-bit hi-quality Wav files
KiCK: Shocking Expansion is a compilation of 50 kick presets and 50 click sounds for Kick Drum Synthesizer. This expansion provides you punchy and perfectly designed kick drums. This collection also provides kicks recorded in WAV format for those producers who want to work with them without using this plugin. Try to work with endless editing of your kick drums! brings you 50 kick presets, ready to use in your next banger. With tons of possibilities of the ‘Kick’ you will perfectly match your bass drum with all the elements of your track. All presets have been designed with maximum precision, power and punch!
This pack contain everything you need to create next modern EDM hit sounding like tracks of W&W, Dimitri Vegas & Like Mike, Martin Garrix, Alvaro, Quentino, Swanky Tunes, Blasterjaxx, Sick Individuals, Sander Van Doorn, DVBBS, Borgeous, Showtek, Laidback Luke and etc. Here you will find 337 MB collection of Stomping Drum Loops, Anthemic Themes, Insane Hard EDM Kicks, Punchy Drum Shots, Synth Loops, Midi Files and Sound FX!
Sampled here was a large VOX AC30 amp for a tried and true amp sound. This is a different amp and was done in a different booth so it has a different flavour – certainly clearer than the original Big Amp version. Full commercial package size is 1.7 GB. 72 Presets. Provided at 192 khz, 96 khz and 44 khz.Please note that these require a fully licensed Nebula Pro license to enjoy. 8 Microphone positions were employed with each microphone recording a mono signal only ( Although I used matched pairs of mics I used them as mono inputs.). Most Amps were recorded in three tonal landscapes. Flat, bright and warm although that is not a rule. Most libraries with the exception of the Fender Champ 600 ( Two perspectives ) Have all three perspectives – giving you 24 different tones per amp to experiment with and in some cases 32.
Sampled at 96 khz with Prismsound Orpheus conversion and high quality short gold tipped cables. 15 MB. About 80 files in this package covering Kick, Snare, Vocals, Bass and more.
This Pack came about as a request from one of my customers. It has Hip Hop, Rap and any modern dance all over it. It is very loosely based on curves of Doctor Dray’s album the Kronic. The Curves have been made through SSL gear that will give your mixes a bit of depth. You won’t sound like the man just like that. I advise that you use a compressor plugin before or after the Q-clone instance to get the sound to punch a bit more. If you purchase the Exlojik , you can use the Med setting on your master bus to give you a great chain that will give you quick results. Use The SSL Duende channel strip to make any EQ tweaks and you should be set to make a great sounding song. To add more flexibility and tones perhaps consider the Colour Mix pro pack.
Red is a soundset for the Access Virus TI and Snow synthesizers and is aimed squarely at dance music productions with 128 presets divided into four categories: Bass, Plucked sounds, Pads and Sequences. Yes. Sequences. Although the Virus doesn’t have a built-in sequencer (at least not in the v5 of the operating system), we used some tricks with its very capable arpeggiator to simulate the functionality of a real step sequencer. Although a majority of the sounds is built upon the Hypersaw Oscillator, we have also used many of the DCO oscillators from the old Virus A/B/C.
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