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  • MusicTech May 2020
    June 6th, 2021 ⚡
    Categories: News

    MusicTech May 2020

    MusicTech May 2020

    English | 134 pages | True PDF | 72 MB

    MusicTech magazine is perfectly described as the intersection between music and technology, it’s widely regarded as the world’s leading magazine of its kind, put simply, this will be your go-to tool to master your music. Filled with in-depth features on music recording and production, MusicTech includes guides on how to kit out your studio, how to build your own beats and make music for free – you will always be learning something new with a MusicTech magazine subscription.



    Viewed 2760 By Music Producers.


    • Theremin v1.4 AAX AU VSTi WiN MAC-DECiBEL
      June 6th, 2021 ⚡
      Categories: AAX, AU, macOS, VSTi, WiNDOWS, x64, x86

      Theremin v1.4 AAX AU VSTi WiN MAC-DECiBEL

      Theremin v1.4 WiN MAC

      Team DECiBEL | 16 Apr 2020 | 4.3MB-7.2MB each

      …::: AAX, AU, VSTi, x86, x64 :::…

      The theremin is an electronic instrument patented in 1928 by Leon Theremin. The typical theremin users two oscillators – one producing a static frequency, one variable – and amplifies the difference of these two signals to produce sine waves at different frequencies, thus creating different pitches. A theremin uses a secondary circuit to control amplitude. You can control pitch/volume with your hands by adjusting the position of your hands in relation to the two antennas of the theremin, thus making it one of the only instruments in the world that you play but never touch! The tone of the theremin is well known, and can be heard in countless horror scores because of its somewhat unnatural and haunting tone. Theoretically, a theremin produces a fundamental pitch as a pure sine wave, and pure sine waves sound unnatural because most sounds in nature come with magesy overtones. The theremin is considered to be one of the worlds most challenging instruments to play. Not only is a theremin “fretless” like a violin, but even stringless, and the tone it produces is not stopped by inaction or through natural decay, but rather by manually decreasing the volume. In other words, to produces staccato notes, one must control not only the attack and hold, but also the decay. This is counterintuitive to how almost every other instrument works.



      Viewed 15842 By Music Producers.


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